Oh, Columbia! Isn’t it a charming little city filled with artistic flair and a rich cultural history? As we bask in this lovely weather—sunny skies with a high of 66°F and gentle breezes—it’s hard not to reminisce about the days that molded Columbia’s vibrant arts scene, particularly the beloved Nickelodeon Theater, affectionately known as “The Nick.”
Back in the day, The Nick was a haven for indie film lovers. Can you picture it? People lining up outside on South Main, excited chatter filling the air as we exchanged friendly greetings, impatiently waiting for a volunteer to let us in. The smell of freshly popped popcorn wafted through the air, mingling with the palpable excitement of sharing a unique film experience with others who were just as passionate.
The memories flood back of nights spent watching cutting-edge films like “Clerks” and “Dazed and Confused” in that creaky old theater. Those were not just movies; they were gateways to conversations, connections, and creativity. At any screening, there was a sense of community—filmmakers, artists, and movie buffs who were thrilled to be part of a collective journey through the magic of cinema.
Those were days when the indie filmmakers of Columbia dreamt of seeing their work on that very screen. Wade Sellers, a notable filmmaker from the late 90s, recalls the thrill of having a film show at The Nick. He reminisces, “It didn’t matter how uncomfortable those seats were or the quirky quirks of the bathroom. What mattered was that your film had a place, a community that celebrated your creative efforts.”
Fast forward to today, and The Nick finds itself navigating through a different film landscape. In a recent podcast featuring executive director Sumner Bender, the discussion of transitioning from primarily indie films to featuring more blockbuster titles was front and center. As the theater moved to its current location on the 1600 block of Main after a significant capital campaign, it has faced the tough challenge of balancing its original mission with the need to cover its growing overhead costs.
While many folks appreciate the broader selection of films, there’s an undertone of concern in the community. The decision to host blockbuster movies like the new “Beetlejuice” sequel seems to chafe against the grain of what The Nick once represented. It’s a classic tug-of-war: Should a community theater pivot to remain financially viable, or should it stay true to its roots and the indie artists it once championed?
One specific controversy that has sparked conversation around town is the refusal of The Nick to host the premiere of “Pater Noster and the Mission of Light,” a film that proudly boasts a cast and crew composed of local artists. Columbia filmmaker Chris Bickel has expressed concerns, suggesting that a decision to turn the booking process over to a third-party group might have diluted the core mission of promoting alternative cinema.
As Bickel notes, this choice takes us away from that warm, welcoming vibe we remember. The old Nick wasn’t just a theater—it was a gathering spot for culture creators and consumers alike, inspiring collaboration and passion among Columbia’s artistic community. After all, we could find blockbuster films anywhere, but The Nick was special in its embrace of indie spirit.
As Columbia continues to evolve, it’s important for us to reflect on what made our arts scene so special in the first place. While change is inevitable, are we confident that the new direction is still serving the vibrant community that calls Columbia home? The conversation continues, and it involves all of us who adore The Nick and everything it symbolizes—a place where creativity, community, and cinema intersect.
So, as we enjoy another beautiful day in our fair city, let’s remember the magic of The Nick and share our stories with one another, hoping that our beloved indie films and the artists who create them continue to receive the spotlight they deserve.
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